The creative process is determined by available mediums and circumstances. Collected materials are initially considered for their overt functionality, analyzed for symbolic and social implications, then applied or discarded. The work that you see here is evidence of life: the artist's life and those that have collided.

Transience is vital to production. Living in a constant state of field research, amassing unconventional libraries of experience and material — found in the streets or chanced upon in Nature. Objects and artworks may be dragged around for years before being utilized or completed, other times they are simply abandoned. Some work is overtly ephemeral, celebrating our ultimate fate, while others are meant to be kept afloat upon the human timeline. This method of creation is both reactionary and meditative, born from a lust for life, and the dissonance of it.

The work is detritus: personal and societal, for therein lies the potent artifacts of culture and humanity— documentation of an organic animal experience within the parameters synthetic realities.

E - MPIAPOMP@Gmail.com